Foundation for the Biblical Arts

In sight of Truth Beauty and Goodness


Through a portal we leave one space for another and what lies beyond… consider the portal with conscious and intentional steps possibly entering the mystery of God…

by: Jeff LeFever

Monday, September 9, 2013

Portals are something to consider, especially when we consider the Consecrated Space. How simple and powerful a door can be in changing a person’s perception to what they are entering.

My own little church, plain as it is, one evening put up black curtains in the doorway. We entered a candlelit space. The curtains added a mystery and suggested something different was now taking place. Our countenances changed. What was usually noisy, friendly chatter became anticipation and reverent silence. An ornate, Byzantine cross projected onto the front wall where a cross made of sticks normally hung.

A Byzantine crucifix in a candlelit space, discovered after passing through a black curtain. It cost nothing to do (relatively).

I had lunch with a respected friend and he said this (paraphrased in my notes): “A doorway – an entrance – is a threshold, like dawn and dusk are thresholds in between night and day – the places of mystery and enchantment. The door is the threshold from the world into the sanctuary. [That’ why] people cross themselves as they enter in the Russian Orthodox church – the threshold is where God meets us, where you can meet God.”

Often the most elaborate constructions within the old cathedrals and churches were the entrance portals. Not only did they establish a consciousness of a new place, but also they served as reminders to important theological ideas.

One of my favorite is Notre Dame de Amien, where at the center of the central double door in the trumeau is a sculpture of the resurrected Christ called Le Beau Dieu (the “Beautiful [or ‘handsome’] God”). It reminds all who enter how beautiful God is in all things, from grace to judgment; love, forgiveness, and sacrifice; to relational living incarnationally, immanently, and eminently.

Over cathedral doors artists would often carve bas relief tympanums of Ascensions or, in Romanesque Style churches, Last Judgment scenes, with Yeshua Judge on a heavenly throne while the dead rise from graves awakened by Gabriel’s horn. Souls are weighed, the damned are cast and chomped by the jaws of hell – these tympanums where heaven and earth join at the end of time set the mood for those who enter a construction metaphor of the “Holy Jerusalem.” They were a visual whisper to consider what lies ahead.

The portal speaks to the street, saying “in here is something different than out there.” Though this happens less often now, historically these places served as refuges, safe spaces people could go seeking help, seeking rest from a world too harsh, too chaotic.

Portals – something to consider.


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